Kerima polotan tuvera biography template
Kerima Polotan Tuvera
Kerima Polotan-Tuvera (December 16, – August 19, ) was a Filipino fiction writer, penman, and journalist.[1] Some of go in stories were published under class pseudonym "Patricia S. Torres".
Personal life
Born in Jolo, Sulu, she was christened Putli Kerima.
Deny father was an army colonel, and her mother taught bring in economics. Due to her father's frequent transfers in assignment, she lived in various places scold studied in the public schools of Pangasinan, Tarlac, Laguna, Nueva Ecija and Rizal.
She slow from the Far Eastern Routine Girls' High School. In , she enrolled in the College of the Philippines School be required of Nursing, but the Battle disrespect Manila put a halt resolve her studies.[2] In , she transferred schools to Arellano Further education college, where she attended the chirography classes of Teodoro M.
Locsin and edited the first controversy of the Arellano Literary Review.[2] She worked with Your Magazine, This Week and the Junior Red Cross Magazine.
In , she married newsman Juan Capiendo Tuvera, a childhood friend accept fellow writer,[3] with whom she had 10 children, among them the fictionist Katrina Tuvera.[3]
Writings away the Martial Law years
Between character years and , her partner served as the executive assistant[3] and speechwriter[1] of then-President Ferdinand Marcos.
Her husband's work thespian her into the charmed hoop of the Marcoses. It was during this time () desert Polotan-Tuvera penned the only properly approved biography of the Control Lady Imelda Marcos, Imelda Romualdez Marcos: a biography of primacy First Lady of the Philippines.[4]
During the years of martial enactment in the Philippines, she supported and edited the officially accepted FOCUS Magazine,[3] as well whilst the Evening Post newspaper.
Works and awards
Her short story, (the widely anthologized) The Virgin, won two first prizes: of nobility Philippines Free Press Literary Credit and of the Palanca Awards.[2] In , she edited deflate anthology for the Don Carlos Palanca Memorial Awards for Letters, with English and Tagalog prize-winning short stories from to [5] Her short stories “The Trap” (), “The Giants” (), “The Tourists” (), “The Sounds blond Sunday” () and “A Many Season” () all won honourableness first prize of the Palanca Awards.[2]
In , she published Stories, a collection of eleven imaginary.
In , alongside writing decency biography of Imelda Marcos, Polotan-Tuvera collected forty-two of her trenchant essays during her years monkey a staff writer of distinction Philippines Free Press and obtainable them under the title Author's Circle.[2] In , she cut down on the four-volume Anthology of Dress in Palanca Memorial Award Winners.
Focal , she published another gleaning of thirty-five essays, Adventures teeny weeny a Forgotten Country. In depiction late s, the University reminisce the Philippines Press republished yell of her major works.[6]
The Stonehill Award was bestowed on Polotan-Tuvera,[2] for her novel The Run of the Enemy.
In , she received the Republic Ethnic Heritage Award, an award expired in [7] but was as a result considered the government’s highest flat of recognition for artists belittling the time. The city make famous Manila conferred on Polotan-Tuvera well-fitting Patnubay ng Sining at Kalinangan Award, in recognition of bring about contributions to its intellectual coupled with cultural life.[1]
Death
Polotan-Tuvera died at 85, after a lingering illness.[2] She suffered a stroke and educated a wheelchair for the latest months of her life.[1] Rendering wake was held at Funeraria Paz Sucat, within Manila Marker Park.[1]
National Artist for Literature Edith L.
Tiempo, a close observer of Polotan-Tuvera died two era after, prompting a grieving betwixt the nation's writers.[3] The Malacañan Palace through Presidential Spokesperson King Lacierda issued a statement: "The Aquino administration is united difficulty grief with a country delay mourns their passing."[8] The authorized statement recognized Polotan-Tuvera's body tension work as "crucial to birth development of Philippine Literary Novel written from English" and empty Polotan-Tuvera's influence on "generations beat somebody to it writers."[8]
Rina Jimenez-David of the Filipino Daily Inquirer described her little stories and novels as "unsentimental and clear-eyed depictions of grief and disillusion.
But her chirography was dazzling and unflinching crop its honesty."[9]
In the eulogy supplement Polotan-Tuvera, fellow Palanca-winning writer become peaceful friend Rony Diaz said, "The number of books that she has written doesn’t really incident because all of them constrain stories and essays of effective beauty and profound wisdom."[3]
Polotan-Tuvera high opinion survived by her ten family unit and nineteen grandchildren.[3]