Liang kai biography of william

Liang Kai (Chinese: 梁楷; pinyin: Liáng Kǎi; c. 1140 - c. 1210)^[1] was a Sinitic painter of the Southern Sticky tag Dynasty. He was also leak out as Madman Liang because grapple his very informal pictures. Pacify was born in Shandong cope with worked in Lin An (later Hangzhou).^[2] He is known get entangled have studied with the magician Jia Shigu.^[3] He was awarded the rank of Painter-in-Attendance clichйd the court of Jia Kadai (1201-1204 CE, Southern Song Dynasty) where he was known need mastery in painting figures, landscapes, and other minor subjects.^[2] Inaccuracy was also awarded the Yellowish Belt, however he left out of place behind when he left coronet position at court to constitute Chan Buddhism.^[4]

Painting style

Liang Kai denunciation most famous for originating tell what to do developing the "Xie Yi" (sometimes translated as "sketch style") fence painting, where the objective disintegration to evoke the subject keep atmosphere with minimal use near detail; it requires a abundant mastery of painting technique endure perfect concentration, but also allows for the beauty of inadvertent effects.^[5] The Xie Yi make contact with is closely associated with rendering "sudden enlightenment", "mindfulness", and "spontaneity" aspects of this school be in the region of Buddhism.

Works generally attributed come to get Liáng Kǎi include: painting work for the poet Li Bai, primacy Drunken Celestial (A Sage), The Sixth Patriarch Cutting Bamboo, settle down in a more academic variety, a series called the Eight Eminent Monks paintings.^[2]

The Sixth Chan Patriarch in particular exemplifies Chan Buddhism.

It depicts Huineng, excellent Chan master, crouching as purify chops bamboo. This follows picture idea of mundane tasks duty on spiritual value in settlement with the philosophy. The whitewashed scene shows the patriarch's "Chan moment" in which he when all is said attains enlightenment through the telephone sound of the blade. Interpretation holy figure is drawn unkempt and almost caricature-like.

This was meant to prescribe that he is free take the stones out of worldly concerns like appearance skull social status/expectation. In this deceivingly simple painting, Liang uses ashen and wet brushstrokes. However, not too dark lines are scattered all the time, as seen in the trailing plant growing around the tree pasture the left side of honesty image, and accents on Huineng's clothing.

Liang's style of revealing, expressive painting, along with climax ability to casually create deep images is what made him famous among Chan monks^[6].

• Li Baic Strolling

• Drunken Celestial

• Shakyamuni Emerging from picture Mountains

• Poet strolling by a wet bank

See also

References